| AVAILABLE MUSIC |
| Single page $4.00 postpaid
domestic $5.00 international; double pages $6.00 postpaid domestic $7.50 international
|
| TITLE |
DESCRIPTION |
No.
OF PAGES |
DOMESTIC DELIVERY |
INTERNATIONAL
DELIVERY |
| Anatole, 1997 | a languid bossa nova recorded on Darkness Into Light; AABA; D |
1 |
|
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| Bittersweet, 2005 | a slow evocative waltz, irregular; AABA; A minor; recorded on Bright Side | 1 |
||
| Bright Side, 2004 | an up-tempo, straight-ahead tune with some wicked tonal shifts; C; title tune on Bright Side |
1 |
|
|
| Darkness Into Light, 1997 | the intense title tune from Darkness Into Light with a rubato intro; AABA form alternating between straight-ahead A sections and a Latin triple-feel B section; D minor |
2 |
|
|
| El Buscador, 2001 | “The Seeker” a Latin-style, triple-feel work; AABA; G; not yet recorded |
2 |
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| Es Y No Es, 2003 | “It is and it isn’t” a different Latin feel in 6/2 – 3/1; AABA; D minor; not yet recorded |
2 |
|
|
| The Fan Man, 1997 | a Latin/funk, 12-and-a-half-bar mutant blues; C minor; recorded on Darkness Into Light |
1 |
|
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| Fenk Shui, 2000 | “Funk Shway” a funk tune exploring eleventh chords; Bb; recorded on Darkness Into Light |
1 |
|
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| Four Or Five, 1998 | a blues with a bridge; melody uses only P4 or P5; AABA; F; recorded on Darkness Into Light |
1 |
|
|
| Habanera, 2003 | a charming habanera; check out the organum; AABA; C; recorded on Arkadia |
1 |
|
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| Highland Girl, 2000 | a wistful ballad; AABA; F minor; recorded on Darkness Into Light |
2 |
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| Hip-Bop, 2003 | a jazz thang with a hip-hop feel; G; not yet recorded |
1 |
|
|
| Hope Street Saunter, 1999 | an amiable stroll; the title tune from Hope Street Saunter; AABA; G minor |
1 |
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| In Black, 2002 | a poignant lament and hopeful antiphon to the sorrow of September 11; AABA; F minor; recorded on Arkadia |
1 |
|
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| In Stride, 2004 | a medium, retro-style stroll; AABA; D minor; not yet recorded |
1 |
|
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| Llano, 1999 | a compelling Latin/pop number in 6/8; D modality; recorded on Hope Street Saunter |
1 |
|
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| Lost In The Form, 2002 | an up-tempo, straight-ahead rhythmic bed with a floating out-of-tempo melody; AABA; F; not yet recorded |
2 |
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| Nowhere But Up, 1996 | a medium swing number; AABA; D; recorded on Darkness Into Light |
1 |
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| Out On A Limb, 2004 | a medium 7/4 tune; AABA with straight-ahead A sections and a suspended-feeling B; A minor; not yet recorded |
2 |
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| Sanctuary, 2005 | a slow African-style chant; through-composed 20 bars; G/Eb; recorded on Bright Side | 1 |
||
| The Todd Theory, 2005 | an angry up-tempo A section (and interlude) which metrically modulates into a slower B section, a 16-bar Eb minor blues; AABA | 1 |
||
| Tipica, 2000 | a spirited samba that is anything but “typical;” AABBA; C; recorded on Hope Street Saunter |
2 |
|
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| To Soar, 2000 | a lilting tune in 5/4; AABA; F; recorded on Hope Street Saunter |
1 |
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| Vesper, 1997 | a solemn ballad; AABBA; F modality; recorded on Hope Street Saunter |
1 |
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| Visions of Christmas, 1997 | a holiday vocal (with lyrics, no less, both sacred and secular) in 3/4; AABA’; Ab; not yet recorded |
1 |
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| Walkup, 2001 | an up-tempo, straight-ahead tune; G minor; recorded on Hope Street Saunter |
1 |
|
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| Waltz For Rachel, 1996 | an open-hearted waltz written for Brown’s daughter; |
1 |
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| Woodshed, 1999 | a spunky tune in 3/4 written in memory of Woody Shaw; AABA; D minor; recorded on Darkness Into Light |
1 |
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